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So what is summing, and why is analog supposedly better? Great questions. The concept of summing is a simple one really. When you record and mix many tracks together whether on a console or in your computer you eventually have to mix them all down through a single stereo track your master fader so you can print or render a final stereo file. This process of funneling all your tracks together is called summing. Just like in math, when you add things together you get the sum of those parts.

This originally all took place in the analog domain, inside a mixing console. When digital recording and mixing was becoming a reality, people complained of the sound of the summing that was happening inside the computer.

The argument goes that when you take tracks that are digital in nature and sum them together digitally, you get an inferior final mix. It is said that digital summing sounds cold, harsh, and broken. Analog Summing To The Rescue The solution then to this digital problem was to take individual tracks or groups of tracks out of the digital domain and sum them together in an analog console or more affordably, an analog summing box like the Dangerous 2 Buss , and then take that final stereo analog signal and bring it back into the computer as your final stereo track.

First it becomes a crutch and excuse for poor mixing. Analog summing will not make your bad mixes better. From then on, it was really a very natural progression to delve into the art of recording — and it is a fairly common route! Mastering is a very unique niche in the recording field. I realised that while I was mastering, I had my own individual approach compared to other mastering engineers.

There were several new ideas that came from the new technologies of the time, which I thought could provide obvious advantages in the mastering stage, but these were largely shunned by my colleagues. We ask Emily what technology is vital to her current mastering process. The Avalon has a full and warm bottom and the highs are super smooth and clear. It has a classic sound that is clean, beautiful, and elegant. The unit I have at The Lodge is pretty special. It can lightly pull things together or be as heavy handed as needed.

However, there are some things that do not really change. Image: Getty Images. I like to have a dialogue with the artist, producer and mixer about what they are trying to achieve in the mastering process early. Either the artist attends the session with me, we speak on the phone, or the conversation occurs via an exchange of emails.

This is how we can work together to nurture their creative process every step of the way the way.

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Although its UI is quite outdated, it is still one of the. Students choose a Edge to take or paint, then cut it out million daily active. It continues with of the Android can now click.