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None of us had ever been through anything like this in our lifetimes and no one really knew how we as a society should act and deal with a global pandemic. I really felt it gave people a great opportunity to search inside themselves about how best to deal with these crazy circumstances and choose how they want to live their lives coming out of this. The quartet — rounded out by Cale Gontier bass and Cody Watkins drums — has perfected a fusion of gut-punching grooves, intricate fretwork, airtight songwriting, and soaring choruses.

SAINT ASONIA sparked into life eight years ago when Gontier and Mushok decided to turn their joint ambition to make music that is "raw, real, and straight from our hearts" into a new band and a fully-fledged studio outing. The result was their acclaimed self-titled debut, released in , which charted Top 10 in Canada and entered the Billboard U. I think you brought much more than decent parts. Then we played Adam that song and I came into the demo with an idea of what I thought we would do, and that one kind of came out of left field.

We re-tracked the music and he sang on it, so that was the song that was actually on the demo that we did. And Adam definitely put his stamp on it. I think you kind of nailed it on the head [with Black Sabbath]. I had come up with an arrangement for it and he liked it, so we ended up tracking it and it made the record.

Yeah I was gonna say that, well maybe not that you had Black Sabbath in mind, but maybe did Black Sabbath serve as a blueprint? I do write a lot and sometimes certain kind of stick with you and that was one that sorta always stuck with me. A lot of times I write a lot of things and I log it and kind of get pleasantly surprised listening back to it sometimes and some of them I remember and that was one that stuck with me.

Do you throw them in your phone? Do you have a laptop? I do have boxes and boxes and boxes of cassettes laughs. He had never heard of them laughs. Yeah, I used to call it my Sony one-track. To me it was the easiest thing, you know? I still have a little one in one of my guitar cases. I mentioned Black Sabbath earlier, so speaking of Sabbath and many others, of course, can you recall when you had your very first musical revelation? Maybe a song you heard where you said, man I wanna do that?

They have pictures of me with a guitar and that was the song that I would sing and strum nothing, at that age. That was the song that my parents point out was one that I was drawn to and sang all the time. It was pretty cool to watch. Ah, neat! When we kind of realized that this would be something more, I sat down and wrote some songs and that was one that came out of that. And again, that was one that he went away once he had the music and came back an hour later with that written. He actually demoed it himself in his Pro Tools rig and it hit me right away.

I thought it was great. And you heard it here first- possibly the next single. So what approach did you guys take once you got in the studio, and what role did Johnny K play to help facilitate the end result that we hear on the record? So I work well with him and I always respect his ideas and what he brings to the table.

As a producer, his job is to help make the songs better and to get everything sounding sonically as good as they can — I wanna say on the tape, but these days, into the computer. I always enjoy working with Johnny for that reason. So basically the process was this: we had the music and the arrangements pretty much done.

You work on getting the drum tracks where they should be and the right groove for the song and then you kind of build it up from there. You know actually it was one of the first ones that Adam and I worked on when we first got together. Again, I had had that music kicking around. It was one of those things that I had written I just thought was a pretty guitar line that I thought had the potential to have some beautiful lyrics and melody put over it.

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I mean, any way you look at it, 'Blinding Lights' is a great song. It was fun to give it our flavor, and add our style to it. Also, both we and The Weeknd are Canadian, specifically from the Toronto area, so that made it even sweeter. We're all pumped with how it turned out. It hits hard. SAINT ASONIA sparked into life seven years ago when Gontier and Mushok decided to turn their joint ambition to make music that is "raw, real, and straight from our hearts" into a new band and a fully-fledged studio outing.

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